Take a journey with young minds from around the globe as they prepare their projects for the largest convening of high school scientists in the world, the Intel International Science and Engineering Fair (ISEF). Watch these passionate innovators find the courage to face the planet’s environmental threats while navigating adolescence.
Three men, Vijay, Siddharth, and Aashiq, travel to Kochi with their own sets of problems, where they meet a mysterious man, Scobo Johns, who proves to be a turning point in their lives.
It's a romantic drama with colourful characters and hint of mystery typical of Saradindu Bandyopadhyay. The film revolves around the story of a thief played by Abir Chatterjee.
It's Not Over tells the inspiring story of three courageous millennials who are living with or affected by HIV/AIDS.
Sundeep leads a double life when he marries two women and keeps them from one another. His carefully planned life unravels when an old friend who knows his secret arrives looking to fall in love.
This film is based on four short stories by different writers: "Bateswarer Abodan" by Parasuram, "Porikkha" by Sharadindu Bandyopadhyay, "Kagtarua" by Satyajit Ray and "Dui Bondhu" by Satyajit Ray.
A man is driven by a personal vendetta to rectify the wrongs in society, while keeping a promise made years ago. He comes up against a monstrous outlaw with no fear, who's caused extreme suffering to many.
When a city-bred girl comes home to her village, she falls for the macho village boy and asks him out. As a passionate romance brews, the guy falls madly in love with her, but does she feel the same way? Or is it just a passionate summer fling?
An idealistic sub-inspector joins a station that is run by a corrupt inspector, who moves closely with a criminal-minister. Gradually, his hate for the other takes over and he edges towards the dark side while the other sees the error of his ways and reforms.
A married woman on journey from Mumbai to Howrah by train meets her ex-husband.
Ullaas is a cunning guy who can go to any extent for money. One fine day, he cheats a priest and redirects an NRI match which is supposed to go to a known person in his village. He manages everything and finally ties the knot with Laya. The twist in the tale arises when Ullaas comes to know that the NRI girl he married is a complete alcoholic. Rest of the story is as to how Sunil manages to get his problematic wife back on track.
The Return Of Sardaarji is a 2016 Punjabi film directed by Rohit Jugraj and starring Diljit Dosanjh and Sonam Bajwa in lead roles,The film will be released on 24 June 2016.
The King of Bali invites Chhota Bheem and his friends to attend the coronation of the state's prince. After reaching Bali, Bheem and his friends find that the state is captured by a witch named Rangda who wants to rule the country. Rangda is very powerful and has Leyaks, magical creatures, as her army. She arrests the king and queen of Bali, but, with the assistance of Chhota Bheem and his friends, the young prince of Bali manages to escape. Now, Chhota Bheem and his friends attempt to save the people of Bali from Rangda's black magic. Meanwhile Rangda causes destruction and diseases in Bali with her magical power. Two little Indonesian village girls Aci and Ayu help Bheem and his friends to save Bali from Rangda.
Produced by Ohri Productions, this movie is inspired by Indo-Pakistani War of 1971 in East Pakistan, that lasted 13 days.
Communication gaps surface when a man returns home after a 14 year prison term and is finally forced to take his tormentor head on
A case involving the disappearance of a pregnant woman turns into a personal one for the cop who is tasked with investigating it.
When Paaru sees a fairy tale she heard from from a stranger as a child painted across the walls of a costal town, she goes in search of the man who painted it - Maara.
A dark rainy night, an empty house, a stranded couple and an unknown man. A sleek game of the cat and the mouse starts playing on, as the three of them find a dead body in the basement.
Venkatasamy (Raj Kiran), a helpful villager, comes to the city to spend time with his grandson Tamizh (Vimal), an IT professional whose dream is to settle in the US. Venkatasamy's straight talk and rural practices initially earn him the enmity of Tamizh's neighbors and girlfriend, Karthika (Lakshmi Menon). Eventually, things begin to change and he begins to win hearts. But by the time the city folks realize his value, tragedy strikes...
A mysterious bomb blast in a business tycoon's factory prompts the state CM to hire an NIA officer. He meets an ex-army man seeking revenge for his dead daughter and a journalist demanding justice for her slain boyfriend. Nothing is what it seems. The film raises contemporary ecological issue with lot of thrill.
Based in the backdrop of 19th century Bengal, Rosogolla is a story of a young man with a romantic heart and brilliant mind — Nabin Chandra Das, who had set his heart on making the most delicious sweet of all time for his wife, Khirodmoni. Rosogolla is a story of the many trial and tribulations in his journey of making something unique, of innocent love, struggle and human aspiration for novelty.
A struggling street photographer, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develops a connection that transforms them in ways that they could not expect.
A psychologist with a keen interest in criminology gets entangled in a tough serial killer case which the police find hard to crack.
A proud son hires a documentary filmmaker to immortalise his father's legacy. Tensions flare up between filmmaker and subject-and a rookie cameraman is caught in the cross fire-as the three travel across France unearthing family secrets.
A fictionalized account of the lives of 1980s Tamil Nadu political icons M. G. Ramachandran and M. Karunanidhi, continuing the tryst between Tamil cinema and Dravidian politics.
Indraneel's sudden death averts a possible divorce, and takes Radhika on a fantastic inward journey of discovery of her own roots through the language of poetry, and lost love. A publisher asks Radhika to complete Indraneel's works. This compels her to study his work, and thus begins her journey into the past. She realizes how much he romanticized their mundane, everyday life. Yet in reality, he was often insensitive, negligent and apathetic towards her. She wonders about his dual identity. How can a poet be unaware of his day-to-day realities, yet highlight moments from it in his art? Is art essentially an artifice?